![]() ![]() His engravings were so plagiarised that he lobbied for the Copyright Act of 1735 as protection for writers and artists.ĭuring the 1730s Hogarth also developed into an original painter of life-sized portraits, and created the first of several history paintings in the grand manner. He went on to create a series of paintings satirising contemporary customs, but based on earlier Italian prints, of which the first was 'The Harlot's Progress' (1731), and perhaps the most famous 'The Rake's Progress'. While the artist appears only in the form of. Although portraits of individual dogs were unusual in Dou’s time, they had become far more common by the time William Hogarth painted the self-portrait The Painter and his pug (1745), giving his dog, Trump, equal billing in the title. He later took up oil painting, starting with small portrait groups called conversation pieces. Hogarth, The painter and his pug, 1745, Tate Gallery, London. After apprenticeship to a goldsmith, he began to produce his own engraved designs in about 1710. Hogarth identified strongly with Pugs and as a result was himself depicted as Trump in Pug’s Graces, a caricature of 1753 by watercolor painter Paul Sandby (1730-1802). X-rays have revealed that, at this stage, it showed the artist in a formal coat and wig. Hogarth was born in London, the son of an unsuccessful schoolmaster and writer from Westmoreland. Hogarth first began this self-portrait in the mid-1730s. In 1753 he published his 'Analysis of Beauty', in which he stresses the importance of the serpentine line. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his. English painter and engraver, the outstanding British artist of his period. Media in category 'Self-portrait of William Hogarth (Tate Britain)' The following 7 files are in this category, out of 7 total. X- rays have revealed that initially it showed the artist in a formal coat and wig. (Born London, 10 November 1697 died London, 25/26 October 1764). Published by Craddock & Baldwin, 1820 An engraving after a self-portrait of William Hogarth. Although pugnaciously hostile to Continental art, he succumbed to French influence. Hogarth began this self-portrait in the mid-1730s. Original antique copper engraving by William Hogarth. The Collection contains the set called 'Marriage A-la-Mode'. Hogarth is best known for his series paintings of 'modern moral subjects', of which he sold engravings on subscription.
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